just a quickie from me now,
M.I.A, Born Free from ROMAIN-GAVRAS on Vimeo.
Romain Gavras' latest masterpiece for M.I.A.'s new track, Romain Gavras being the twisted dude behind the video clip for Justice's track stress
his videos (well, at least these two) are filmed and edited to make it seem as though the viewer is watching 'home video' footage of actual events, a style known as cinema verité. it uses a whole bunch of techniques which should be familiar to anyone who's watched funniest home videos or an unedited home videotape: abrupt cuts which jump from one scene to the next, little continuity, sometimes jumbled plot elements and scenes out of place. a whole bunch of movies have been made this way, from the blair witch project to cloverfield and Ruggero Deodato's controversial exploitation film cannibal holocaust.
its an interesting editorial choice used largely in order to increase the realism and thus impact of the images being shown; a big-budget-blockbuster-filmed-in-high-definition version of cloverfield might have reduced the mystery and sense of fear we have as viewers of the giant monster, never really given form directly on camera.
this same element of the unknown pervades the blair witch project, the protagonists lost in a dark and forbidding forest, surrounded by a being hostile to their presence who leaves signs of being near them but again, is never fully seen on camera.
i dig this style a lot, but in terms of feature film length productions, i'm yet to see one that really captivates me. i think so far the best applications of it have been Gavras' music videos; this is probably because over a feature film length production, the style becomes unpleasant and jarring to watch, largely due to being accustomed to the slick hollywood production techniques prevalent in most films.
anyway, just another something for you to mull over this week.
later,
Thursday, April 29, 2010
Tuesday, April 27, 2010
daydream
Beach Fossils - Daydream EP [RapidShare]
later,
Labels:
Beach Fossils,
Brooklyn,
Daydream EP,
Dustin Payseur,
Lo-Fi
Sunday, April 18, 2010
more garage than tool shed
some new york garage/indie goodness... seems like every second band is from there right now
Bed Island - Christmas Island
Able To - Eternal Summers
and the vid
also, ive recently been turned onto a little band by the name of rat vs possum by a friend of mine, they've been gigging around melbourne town a fair bit recently, played sandcastles earlier in the year, they had a residency at the closed-then-opened-again-as-if-anyone-saw-that-coming tote and are playing at rats @ the colonial hotel on saturday 24th april. get down if you like subsequent vids. they also have an album out on sensory projects which can be bought here. it comes highly recommended by myself and lauren.
vid quality is barely listenable but come check em out i spose hey.
later,
Bed Island - Christmas Island
Able To - Eternal Summers
and the vid
also, ive recently been turned onto a little band by the name of rat vs possum by a friend of mine, they've been gigging around melbourne town a fair bit recently, played sandcastles earlier in the year, they had a residency at the closed-then-opened-again-as-if-anyone-saw-that-coming tote and are playing at rats @ the colonial hotel on saturday 24th april. get down if you like subsequent vids. they also have an album out on sensory projects which can be bought here. it comes highly recommended by myself and lauren.
vid quality is barely listenable but come check em out i spose hey.
later,
Labels:
Bed Island,
Eternal Summers,
New York City,
Rat Vs Possum,
Rats,
The Tote
Saturday, April 17, 2010
breaking the fast
having been spurred back onto the blogosphere after my extended hiatus, i thought it best to dedicate this post to a bit of a mishmash of things, as i have a lot of stuff swirling around my head right now, music- and culture-wise.
first stop this time round.. the new scissor sisters' song. now, i know what you're thinking: scissor sisters? awesome? not in the same blawg, dawg! but just have a listen to this. there are many cool aspects to it, not least the deep 5am techno dancefloor vibe, a big big big improvement on the cheese factory that was i don't feel like dancing, but the capper really... is that gandalf is in it. thats right, ladies and gents. gandalf. or at least the actor who plays him, Ian McKellen, doing a spoken word part that is eerily reminiscent of that deep foreboding incantation of Michael Jackson's thriller. yeah, Jake Shears can't resist a bit of cheesy vocal trill every now and then, but on the whole, i really dig this song.
for those with no interest besides Ian McKellen, his part starts at 4 mins in.
glitter EVERYWHERE.
glitter EVERYWHERE.
moving right along with something a little more subdued, and definitely more local, is something you may or may not have heard, from melbourne/perth noise-rock GODS, the drones. far and away my favourite band of all time, i came across their second album wait long by the river and the bodies of your enemies will float by not so long ago, and i'm still digging its psych-rock, noise, fat drums and, as in every drones record, Liddiard's trademark haggard drawl, leering and affronted. wait long wanders more than other drones records, like the loosely focussed havilah (2008) and gala mill (2006), but it is still very recognisably the drones. heaving guitars and thundering bass intertwine with Liddiard's frenetic and wrenching leads and vocals. shark fin blues and you really don't care are standout tracks, but i simply can't pick a favourite. If you like rollicking, loud, swaggering and bluesy rock'n'roll, and something a little less harmonic, more dissonant and noisy, or even a touch of twang every now and then, check this album out.
final thoughts: are we living in a similar cultural epoch to melbourne in the 70's, or indeed at any time in the past? are we part of some landmark cultural event, but we just don't know it yet? maybe the ageing rockers of the pub rock explosion in melbourne's nightlife can see it now, but maybe 30 or 40 years time we will look back, ageing rockers as we will no doubt be, and talk with similar nostalgia to our grandkids about what we did and what we saw every weekend...
later
Labels:
Gandalf,
Gareth Liddiard,
Ian McKellen,
Noise-Rock,
Scissor Sisters,
The Drones
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